The new season has crept up on me. I just realized that BMOP’s “Voices of America” festival, which includes Florestan’s BarberFest, is next weekend, at Tufts’ Distler Performance Hall (just a short walk from Davis Square ). For more info on the festival check out this preview at Boston.com and for a complete schedule see BMOP’s website.
I’m a big fan of Barber’s songs, and Florestan has tracked down “more than a dozen” of his unpublished songs, including what appear to be nursery song settings from when the composer was 10-13 years old. Many of the unpublished works seems to be scheduled for the second of their three concerts. Lest anyone fear this is purely an academic exercise, no, they are not performing Barber’s songs in chronological order. And also, although the majority of the unpublished songs are juvenilia, one just has to listen to his other early works that have been recorded, such as “With rue my heart is laden” (opus 2, from 1927 when the composer was only 17), to immediately realize that Barber was an assured composer at an extremely early age.
One of the connective threads between the two groups’ concert series (aside from the obvious fact that each BMOP concert is preceded by a Florestan recital) is that two of Barber’s greatest vocal works, Dover Beach and the much-beloved Knoxville, Summer of 1915 will be performed at BMOP’s third concert. Now the only problem is deciding which of the three pairs of concerts to attend. Too bad they didn’t offer weekend passes!
In reference to the title of this post, the first conflict of the season is unfortunately BMV’s first concert of the season, also this Friday. Alas, such is life.The concert includes the Boston premiere of John Harbison’s song cycle The Seven Ages.