Monthly Archives: November 2010

Lunchin’ around Fresh Pond

I’ve been meaning to post about food places in Cambridge for quite some time. I suppose I should do this in sections since there are so many distinct areas, so to start off with I thought I’d mention a few places near Fresh Pond, which is where I work.

At the top of my list is a place that I’m betting few people know about, which is the Cafe at 10 Fawcett St, run by AJ Culinary. On the surface this looks like a nondescript corporate cafe offering at best cold premade subs and salads, but in fact it’s a completely worthwhile locally owned and operated cafe. Most of its clientele come from the surrounding businesses, but if this were located just a few blocks away it would reach a much broader audience. Given their scope their selection isn’t extensive, but to supplement the daily soup and the daily hot entree (a vegetarian version is often available and all entrees can come in half sizes or with a salad) are a complete range of sandwiches and wraps created on the spot. Roasted vegetables are a common sight on the menu, whether it be with pasta or in a lasagna, but hot entrees also include such things as quesadillas, Asian noodles, and beef brisket. Soups are uniformly good, such as carrot ginger soup, as are the sandwiches. It can get a bit heavy at times, but given the other options in the area this is a clear winner.

A couple of blocks away are the Whole Foods on Alewife Brook Parkway, a Trader Joe’s, a relatively new Chipotle’s, and a second location of Genki Ya, a Japanese organic sushi place that I’ve tried once so far and was fine, although nothing special and quite pricey.

Down Fawcett St about a 10-minute walk from Concord Ave is another tucked-away spot, Iggy’s Bread. Boston shoppers are no doubt familiar with their breads from seeing them in local grocery stores, but their store also includes gourmet pizza by the slice, sandwiches, and of course a host of sweets to look forward to including some nice jam cookies and a memorable plum cake. Not necessarily worth a special trip, but if you’re in the area it definitely beats most of the other nearby offerings.

So that’s the news from Fresh Pond. Next up, Central Square. Eventually!

Subdued La Bayadère at the Boston Ballet

Just some quick notes on Boston Ballet’s La Bayadère which I saw last night. I was excited to see James Whiteside in the lead male role of Solor, having enjoyed him immensely the two other times I had seen him (in “Le Spectre de la Rose” and the Bluebird Pas de Deux), but I found that the fizzing energy and intensity he had brought to those shorter appearances was curiously missing from this longer work. Even his leaps which were usually so confident seemed restrained. Ah well. His all-American looks were also working against him a bit, although the design team’s choice of costume and lack of makeup didn’t help there either.

His Nikiya was Misa Kuranaga, another soloist at the Boston Ballet who I have enjoyed watching over the years, and she was one of the strongest performers of the evening. Her solo and death at the end of Act II were particularly affecting, and perhaps one of the only truly emotional moments of the night (although the staging for the adder bite moment could have had more of an impact). However, her duets with Whiteside, although technically precise, lacked fluidity and through line.

In this case their performance was hindered by a series of atrociously bad violin solos in Act III. I’ve complained about Boston Ballet’s violin section previously and lately they were doing much better, but this is the absolute worst I’ve heard them. The violins flubbed notes throughout the evening, made all the more obvious by the impeccable playing by the rest of the orchestra, but I’m astounded at the lack of quality control for the violin solos, such an obviously exposed part of the score. This was literally the worst violin playing I’ve heard in a professional setting in all my years in Boston, or most anywhere else for that matter. I really hope the Ballet recognizes this problem this time, because it seriously detracts from what is happening on stage.

One of the iconic sequences of the work is the Entrance of the Shades at the beginning of Act III, and the corps de ballet didn’t disappoint. Technically the dancers are proficient, but too often, particularly as the temple dancers in Act I, the corps feel like they’re performing drills in a ballet class. But although Thea Singer, in her review for the Globe, felt their performance in the Shades sequence failed to completely transport, I found it to be quite successful in its still, almost Zen-like (or should I say yoga-like?) concentration and focus.

The second act is the real crowd-pleaser, though, with its sequence of divertissements. The highlight here was easily newcomer Adiarys Almeida in the role of Manu, who dances with a water jug on her head while two young girls (the sweetly playful Saho Kumagai and Fiona Wado-Gill) tease her by pulling at her skirt. Almeida’s relieved pose and pleased smile as Manu whenever she manages to successfully balance the jug was utterly winning, and I’m looking forward to seeing more from her. And Jeffrey Cirio (literally) glowed in the virtuosic role of the Golden Idol. Special mention should also be made of the quartet of ballerinas in Act II and the Three Shades in Act III, particularly Kathleen Breen Combes (who I unfortunately always seem to manage to miss in meatier roles).

All in all an enjoyable evening, if not one for the ages. I don’t have much interest in the upcoming Elo evening, but will probably catch the Kylian work (despite being paired with a work by William Forsythe who I loathe) and the Balanchine/Robbins evening. So far along with the Globe’s review the only review of La Bayadère I’ve seen is wickedlocal.com. For background info on the ballet Wikipedia proves to be as indispensable as ever.